Samwise Gamgee returns to the Shire, in the final scene of Return of the King (2003)
“There is no safe place from the injuries of history; home as a place or a time of innocence can only be an illusion. But the poet doesn’t recover the bitter past to serve present grudges – his acts of remembering, his quest for identity are grounded in generosity.
“And from this sense of loss and recovery, this mix and merging, this reckoning with the complexities of the past, present national identity and patterns of belonging can be fruitfully formed. The way Walcott has worked the material of his complicated memories and inheritance in the Caribbean represents an exemplary openness to making a new model of the homeland, which doesn’t exclude, but rather includes, which doesn’t justify, but seeks to understand. No home is an island; no homegrown culture can thrive in permanent quarantine. We’re all wayfarers and we make our destinations as we go.” – Marina Warner
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Soft Disturbances 
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