Capital of Culture Fallout | The legacy of the Valletta 2018 Foundation

I’m currently snuggled up the sofabed nursing the remnants of a hangover following yet another spectacular edition of the Reljic NYE house party, as well as the beginnings of a cold which I’m thankful appear to have hit me later than most — late enough, at least, to allow me to enjoy said party virtually unimpeded.

With that in mind — and with Issue One of the latest Conan the Barbarian series from Marvel seductively calling to me on the Comixology tab — I am in no real condition to do a coherent round up of 2018’s professional highlights — though it was certainly an eventful, satisfying and exhausting year in equal measure.

I will, however, leave you with my latest and most substantial journalistic contribution: my article on the legacy of the Valletta 2018 Foundation and all of its works, according to some of the most relevant players in the local cultural industry.

READ: ‘After Valletta 2018, we will never be the same again’ 

It was a satisfying piece to put together — not least because I had a comparatively leisurely amount of time to work on it, giving me a taste of the ‘slow journalism’ I so desperately crave and want to do more of in the future, though it doesn’t look like the realities of the industry will be able to allow for that any time soon.

But I’m also glad to be able to tackle such a contentious topic with a varied array of voices to serve as a buttress; though a large clutch of diplomatic replies were expected, I was very grateful to receive the kind of honest — and sometime searing — responses from people who either bore the brunt of the Foundation’s more questionable practices, or felt shoved to the wayside as it continued its colourful, gentrifying churn across the capital city (and by extension, island as a whole).

Click here to read the full article

Wishing all of my readers an excellent 2019. 

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