Talking Camilla & Two on Taħt il-Qoxra | Radio Interview (Maltese)

Though the bulk of this weekend was taken up by that annual and very much welcome celebration of rock, punk and metal in my very own adoptive hometown — Rock the South — I also got the chance to make a happy pit stop over at the national broadcasting studio to record an episode of literary radio show Taħt il-Qoxra (‘Under the Cover’), hosted by Rachelle Deguara and broadcast on Sunday on Radju Malta.

It is now online, and you can have a listen by clicking here.

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Joined by my co-writer on ‘Camilla’, Stephanie Sant (also the short film’s director), we delved into how the short film came to be; from my seizing of that rare and frenzied jolt of inspiration that led me to combine Clare Azzopardi’s subtle-but-cutting short story with Joseph Sheridan Le Fanu’s ‘Carmilla‘ as I jotted down the treatment; to Stephanie lifting the lid — somewhat — on the historically intricate backstory that served as our ‘true north’ for two key characters.

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Asked about how the indigenous film industry can up both productivity and quality, we jumped on the chance to evangelise the importance of having a solid script, while lamenting the prioritisation of film servicing over production in the local sphere.

All of this is burying the lede somewhat for me though… since the interview had to be done in Maltese given the programme’s format, approach and target audience, I couldn’t exactly wing it. But a spot of rehearsal earlier on seems to have done the trick, and the ensuing interview flowed along quite nicely, I felt.

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Towards the end, I also got a chance to talk a little bit about my debut novel Two — which is about Malta but is in fact written in English — just a few weeks shy of its fifth birthday. I’m glad that people are still keen to hear about its evolution and what it means to me, which is a great deal, even if projects like ‘Camilla’ are shinier and more exciting right about this point in time.

On that note, watch this space for news on future screenings of ‘Camilla’ — more info as soon as we have it, which will hopefully be pretty soon.

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Watch the trailer for ‘Camilla’ here

Find out more about Two here

 

Two – Now on Amazon

My debut novel, Two, has finally made its way to Amazon (UK).

Two by Teodor Reljic. Cover by Pierre Portelli

Cover by Pierre Portelli

Published in March 2014 by Merlin Publishers, Two was a culmination of a total of three years of work, starting out as flash fiction piece for Schlock Magazine, evolving into a Nanowrimo project before finally being beaten into the shape of a parallel narrative — whose main trigger stemmed from Haruki Murakami’s Hard Boiled Wonderland and the End of the World, though the content could not be more dissimilar — that is part coming-of-age story, part love letter to Malta’s evocative landscapes (both urban and maritime) and part a vindication of the love of books.

I spoke about a significant three-year anniversary recently, and it seems as though 2014 was a fairly significant year for me. The subsequent years have been rather more experimental — which was a necessary and enriching step — and I hope that a lot of the non-novel projects that I have been working on (comic book, film-related and other media work) will yield some fruit pretty soon.

In the meantime, I surprised myself by starting to work on something else on the sidelines. Something which is not distant from Two in both form and spirit…

Click here to order Two 

Click here to find out more about Two

February Updates #3 | Awguri, Giovanni Bonello; Toni Erdmann; Brikkuni & Unintended

Yep, I had said February was a wonderfully busy month for me, and it’s proven to be so right until the end.

Awguri, Giovanni Bonello launch

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First off the ground is the most recent — the launch of Awguri, Giovanni Bonello at Palazzo Pereira in Valletta, which I’ve spoken about earlier and which was commemorated at a very posh — but otherwise very pleasant — party organised by Merlin Publishers and the other ‘conspirators’ involved in this festschrift for Judge Giovanni Bonello, who turned 80 last year and who apart from a distinguished legal career, penned his own micro-histories which Merlin cherry-picked through and passed on to ten selected authors.

Judge Bonello was nice enough to say — in a moving speech at the event — that we lent an extra dimension to his otherwise “two-dimensional” figures; but all I’ll say is that I certainly had great fun with my story ‘Bellicam machinam vulgo petart appelatum’, which allowed me to meld the history of an already-sensational character — Caterina Vitale — with Gothic pastiche. Being encouraged to channel the likes of Frankenstein and Dracula into something of my own certainly felt like opening a fount that was dying to be opened; as was being able to indulge in an ornate, baroque literary style (whose convoluted sentences proved to be something of a challenge to read out loud during the launch party, however!)

Click here to read more about the book 

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Toni Erdmann | Film Review

Peter Simonischek and Sandra Hüller play a distant-but-constricting father-daughter pair in Maren Ade’s critically acclaimed comedy Toni Erdmann

Peter Simonischek and Sandra Hüller play a distant-but-constricting father-daughter pair in Maren Ade’s critically acclaimed comedy Toni Erdmann

“Growing tired of their distant relationship following yet another whirlwind visit from his go-getting daughter, Winifred decides to pay a surprise visit to [his daughter] Ines in Bucharest. When his plan for enforced bonding fails, Winifred changes tack – and persona – by adopting a wig and fake teeth and introducing himself as ‘Toni Erdmann’ to Ines’ friends and colleagues… while a horrified Ines looks on as her father threatens to compromise her professional and social standing.

“While this sounds superficially amusing and perhaps even creepy, what in fact develops is a touching study in second chances. For Winifred, this is something of a last-ditch effort to make up for any mistakes he may have made while raising Ines – his bumbling nature throughout suggests there may have been many – while Ines is suddenly given a chance to inject some humanity in her ambition-driven, corporate existence.

“Ade’s deceptively loose directorial style leaves plenty of room for the excellent performances by Simonischek and Hüller to shine through, building the film at a humane pace that ensures its emotional peaks feel entirely earned, and not forced into place by a script aiming for formulaic pressure points.”

Click here to read the full review

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Rub Al Khali by Brikkuni | Album Review

Brikkuni debuting songs from Rub Al Khali during a concert at the Manoel Theatre in October 2015 (Photo: Chris Vella)

Brikkuni debuting songs from Rub Al Khali during a concert at the Manoel Theatre in October 2015 (Photo: Chris Vella)

“Because [Brikkuni frontman Mario Vella’s] expressions of anger and disillusionment, harsh and inflected with dark humour as they sometimes are, always come from a place of earnest emotion. Vella’s not one for protective irony or tongue-in-cheek games: his political, social and critical observations are always made plain for all to see – something that holds true for both his oft-legendary Facebook posts and the content of Brikkuni’s songs in and of themselves.

“And with Rub Al Khali he has taken his earnest approach into what is arguably the most vulnerable place imaginable. Brikkuni’s third album is a concept album, of sorts. A concept album about the dissolution of a ten-year relationship. Yeah.”

Click here to read the full review

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Unintended | Theatre Review

Close shave… too close: Mariele Zammit and Stephen Mintoff. (Photo: by Christine Joan Muscat Azzopardi)

Close shave… too close: Mariele Zammit and Stephen Mintoff. (Photo: by Christine Joan Muscat Azzopardi)

“But ironically, for all the hard-ons it seeks to inspire in our beleaguered protagonist, the second half of the play is remarkably limp as far as narrative drive is concerned. After poor Jamie is drugged and drugged over and over again and seduced into having aggressive – though it must be said, not entirely unsatisfying – sex with Diana, the play abandons its previously established vein of cheeky black humour and simmering tension in favour of a terminal descent into tired ‘torture porn’ territory.

“That Buckle is a fan of the in-yer-face theatre genre will surprise absolutely nobody – at least, not those who have followed the trajectory of Unifaun Theatre with even a fleeting sideways glance over its admirable run – and let’s face it, we all knew Unintended was heading towards a gory climax of some kind. But the problem is neither that the violence and degradation on display are ‘too much’, and neither, really, that this was a predictable move for the debut play by Unifaun’s founder and producer. The issue is one of simple story structure.”

Click here to read the full review 

February Updates: Shakespeare, historical fiction & the latest in MIBDUL

It’s not February yet but it will be soon enough, and in these times of uncertainty and stress I figured it wouldn’t be so bad to start listing (and celebrating) some of things I’m excited about for the near future.

First up, though — something from the very recent past. 

MIBDUL: latest process video from Inez Kristina

Done for our $10+ Patrons, I’m really loving this fully narrated process video from Inez, detailing how she goes about structuring a page in general, and page 10 of MIBDUL’s first issue in particular.

Of course it would be thrilling for me to see my words come to life as pictures at any stage, but seeing the page at such an early, raw stage has its own particular pleasures. For one thing, it’s good to see that, raw as the sketches are at this stage, Inez has a firm grip of both the geography of the spaces and the overall mood of the characters.

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This certainly goes a long way to put me at ease as the writer of MIBDUL — knowing that the script will be rendered in a way that is both faithful and impressive in its own right — but it’s also heartening to discover that Inez understands the vibe of MIBDUL in a very intimate way. Successful communication is the key to all collaboration, and I think we’re riding a good wave here.

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It’s also interesting to hear Inez speak about how her approach to the pages has changed of late; namely that instead of painstakingly rendering each page one by one, she’s decided to start sketching out several pages all at once, so as to get a better sense of how the storytelling should flow without getting bogged down by details and drained by the process too early.

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Funnily enough, it mirrors my own turn with the writing of late: for similar reasons — to speed up the process in a way that matches the flow of the story — I’ve decided to go ‘Marvel method’ on the latter half of scriptwriting process; partly because dialogue is the most challenging part of it all for me, and partly because I think seeing the page laid out by Inez will inspire me to write dialogue that is both succinct and relevant to the flow of the story.

Please consider following our Patreon journey — it would mean a lot to us. Really. 

Awguri, Giovanni Bonello: Gothic pastiche for an illustrious judge

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Like MIBDUL, my contribution to the bi-lingual historical fiction volume Awguri, Giovanni Bonello — to be launched at some point in February in honour of the same judge’s 80th birthday — is yet another collaboration with Merlin Publishers, who have been a pleasure to work with ever since they oversaw the publication of my debut novel, TWO.

To say that this was a fun commission would be a massive understatement. Basically, the judge being honoured by this volume — the poshest birthday present imaginable, am I right? — was also something of an historian, and the personages he wrote about were ‘assigned’ to each of us writers to spin a fictional yarn out of. And I will forever be grateful to Merlin’s head honcho Chris Gruppetta for giving me what is possibly the most sensational and salacious character of the lot: Caterina Vitale, a Renaissance-era “industrial prostitute”, torturer of slaves and — paradoxically — beloved patron of the Carmelite Order.

Of course, I went to town with this one. High on the then still-ongoing Penny Dreadful — and hammering out the short story to the haunting and dulcet tones of that show’s soundtrack by the inimitable Abel Korzeniowski — I liberally crafted something that is both a pastiche of Mary Shelley’s Frankenstein and Bram Stoker’s Dracula, all set against the backdrop of a Malta fresh from the Great Siege.

I’m looking forward to getting my mitts on this gorgeous-looking book — designed by Pierre Portelli with illustrations by Marisa Gatt — if only because I look forward to checking out how my fellow TOC-mates tackled the raw material of Bonello’s historical output.

The Bard at the Bar: Debating Shakespeare

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On February 8 at 19:00, I will be moderating a panel discussion on whether the works of William Shakespeare are relevant to the Maltese theatre scene — and Malta at large — and if so, how to make them feel more accessible and vital to the widest possible audiences.

The brainchild of actor, director and journalist Philip Leone-Ganado of WhatsTheirNames Theatre, the debate will, significantly, take place at The Pub in Archbishop Street, Valletta, aka the place where Oliver Reed keeled over and died after consuming an obscene amount of alcohol while on a break from filming Gladiator back in 1999.

More recently, the venue has accommodated the very first edition of ‘Shakespeare at the Pub’ — a production of the Two Gentlemen of Verona directed by Ganado himself last year — and another one is in the offing for 2017.

Two Gentlemen of Verona at The Pub, Valletta (WhatsTheirNames Theatre, March 2016). Photo by Jacob Sammut

Two Gentlemen of Verona at The Pub, Valletta (WhatsTheirNames Theatre, March 2016). Photo by Jacob Sammut

The lively, unpretentious and game production certainly felt to me like a step in the right direction as far as making Shakespeare more vibrant and relevant was concerned, so I think the Pub is as good a place as any to keep that inspired momentum going with a good discussion.

And it should certainly make for a satisfying debate, given that apart from Ganado himself, the panel will be composed by James Corby (Head of Department of English at the University of Malta and hence offering some academic weight to the proceedings), Polly March (director of the upcoming MADC Shakespeare summer production — the ritualised and established intake of Shakespeare for the island) and Sean Buhagiar, head of the newly-established Teatru Malta and someone deeply concerned with nudging the local theatrical scene out of its usual comfort zones.

So do come along to hear us talk. And feel free to shout your questions and comments over a pint, or ten. Just don’t crank it up to Oliver Reed levels, please.

Debut novel jitters: ‘Two’ pre-launch fun

Two book launch invite

My debut novel, Two, will be out from Merlin Publishers in just over a week’s time. The promo-machine for the book, such as it is, has been continuing apace, and it’s been great fun so far.

My good friend – the actor, theatre director and stand-up comedian – Philip Leone-Ganado wrote up a great interview on The Sunday Circle, which he also edits (yes, a Renaissance Man if there was one).

Photo by Jacob Sammut for The Sunday Circle.

Photo by Jacob Sammut for The Sunday Circle.

Bolstered by great photos by Jacob Sammut (who seems intent on becoming my unofficial portraitist these days), it delves into the book’s themes, textures and origins, with a coda about the philosophy and day-to-day operations of Schlock. Click here to check it out. 

Following the release of the interview, the guys behind Merlin Publishers and myself activated one of our first ideas for Two’s actual book launch, taking place at the Wignacourt Museum in Rabat, with the aid of Nicole Cuschieri from Creative Island. Seeing as the narrative of Two hinges on a big secret, we’ve decided to make secrets the focal point of the launch.

To this end, we’re inviting everyone to anonymously submit their own secrets online, so that we may use them to ‘decorate’ the launch party’s venue. We’ve already amassed 60 secrets at the time of writing, and you’re still in time to submit your own by clicking here.

(Usage note: if you’re a first-time user of the simplyconfess.com site, you might need to click on the link and ‘enter’ the site — confirming you’re over 18 — then leave the site and re-enter via the same link.)

Finally – for now, anyway, because there’s still a couple of things I’ll be attacking you with in the coming week or so – we’ve also set up a Spotify playlist themed around the novel. I’d like to think that selection accurately reflects the mood of the book, at least to some degree. Click here to listen to it.

After the first couple of drafts of the book were finished, what I found most rewarding was doing my best to ensure that the texture and feel of it was flowing and consistent – a particular challenge in this case, given that the novel is structured on a parallel narrative.

Putting together a playlist that capitalises on that just feels like a (dare I say it?) well-deserved cherry on the cake.

Hope to see you on March 28. Overseas readers: we’ll keep you posted on ebook options for Two as soon as we have them.

Confirm your attendance to the launch on Facebook.